Skip to main content

You Can't Get Rich Writing in Nigeria -Okey Anya

Can you tell us about your new book?

Before the Other Day is a fiction novel set in Lagos, Port Harcourt, Sydney (Australia) and a fictional Ukata village in Southeastern Nigeria.
It’s a book that shines light on major challenges women face in Africa, especially Nigeria.
It’s a story of a Nigerian woman of Igbo extraction and her struggle against a certain culture in Igboland. A culture that was put in place by some ignorant individuals to put her down and limit her from becoming all she wants to become.

What was the science behind your characters? How did you come up with them? Totally fictional? How did you select their names?

Some of my characters are totally fictional, and some are friends and people I’ve had the opportunity to interact with in the past.
There is also a little part of me in the book.

My protagonist is an Igbo young lady named Kosi (Kosisochukwu). I chose that name because I wanted a name with a direct connection with the part of Igbo I was writing about.
Before the Other Day is a book that has its root in Southeastern part of Nigeria, so you’re going to see a lot of Igbo names. You will also notice some other characters with Ikwerre, Yoruba, Hausa and English names, as the story moves from the Eastern part of Nigeria to the West.
I selected their names based on their locations.

What is the one big message you were trying to pass to your readers?
There are lots of issues I intend to address through that story and there are loads of truths I want my readers to discover as they read.
In the book, you will see how Kosi, who previously accepted everything life dished out to her, rose up one day, stood her ground and challenged a system that’s bigger than her.
DON’T JUST TAKE IT, that’s the message; ask questions and vehemently reject stuffs that don’t suit you well. Question everything!
A lot has changed, but unfortunately, some people still live in the past with no clear direction for the future because of the way some of us were raised, but I’m happy that is changing. We are beginning to have serious conversations about feminism and other topics that used to be a no go area in Africa.
I think it’s time we begin to question even some of our religious beliefs and some other things passed down to us by our parents and the society.
Don’t just bend down and eat the grass because your Pastor said it will make you the GOAT; ask him why he hasn’t eaten all the grasses in his village!

Who would you think your story would appeal to the most?
Young people, I think. But my plan is to always write books that appeal to everyone, no matter their age or class.
I tried as much as I could to connect everything in the story, from racism, police brutality, politics, and tradition to religion.
There are lots of erotic scenes in Before the Other Day, so it’s definitely not for minors.

How was the publishing process for you? How long did it take in all?
Damn! I don’t even want to remember. Staying up from midnight till the early hours of the morning everyday for almost one year, and over three months of rewriting and working with a team to finally get the book out; that wasn’t fun.
It took almost two years to finally get it right.

Do you have favorite authors? Who are your best African writers?
Yeah, my favorite authors are Frederick Forsyth and the late American writer, Mario Puzo. I read and reread their work over and over like a sacred book.

I have read a lot of work from writers of African descent and I appreciate every one of them putting pen to paper to tell our story; my best African writers are Akwaeke Emezi and Chimamanda Ngozi Adichie. They work so very hard and they go extra mile to tell their stories.
Akwaeke still went ahead to block me on Twitter after a little disagreement tho. [Laughs out loud] But that’s another thing I love about her; she simply don’t give a f*ck!

Where is your favorite place to write?
I write anywhere I’m comfortable

Pen or Computer?
No pen. I have a Microsoft Word app on my phone and I write there whenever I’m inspired to write on the go.
I wrote most of my short stories on my cell phone.  I started writing “Before the Other Day” on my cell before the word count became too long and I moved to my computer.
No pen and paper at all, remember we are trying to save trees and our planet. [Smiles]

Have you ever had a tough criticism around your writing?
No. I guess the literary gatekeepers are still watching from their thrones.

Do you have a day job aside writing?
Yeah, I have a job. Someone said “you can’t get rich writing in Nigeria” and I agree.

Do you have anything you are working on at the moment?
Yes, I’m working on a new book; a big book. [Smiles]

How long can you finish a novel?
I don’t know, honestly. Writing is tricky; you just keep hitting the keyboard till you stop hearing that voice in your head.

When last were you at a party?
Sometime in July, and that was my sister’s birthday party. I stopped attending weddings few years ago for personal reasons, but I hope to resume after I get new clothes and shoes to show off to my friends. [Smiles]

Can you tell us what you are reading presently?
I’m reading two books I have read before; Wizard of the Crow by Ngugi Wa Thiong’o and Mario Puzo’s The Godfather.

What is your best social media network?
Twitter. Even witches and wizards know I never stay off Twitter. I live there!

When last did you see a movie?
Last night. I’m addicted to Hollywood TV series. I just started seeing “Game of Thrones” again, while we wait for Season 8 coming next year.

Where is the best place to meet your fellow writers?
I met most writers I know at book events, and I think that’s the best place to connect.

Do you use Google at the middle of your writing, maybe to find out a thing or two?
Yeah, Google is everyone’s friend now. But, be very careful with the internet when you’re writing. That stuff can waste your whole day!
One minute you’re searching on Google, the next minute you get a Twitter notification and you’re off checking what’s trending.  It happens to me a lot.

What is your view on fashion?
I think comfort should always come first, when it comes to fashion.
I wear what makes me comfortable, and I don’t think dressing shabbily and wearing Ankara and Dashiki with long hair and untrimmed beards makes one a better African writer.

You can order Okey Anya's book on


Popular posts from this blog

The Mark of the Lost: A Review of Chetachi Igbokwe’s Stage Play -Homecoming

In a time when theatres face a dearth of good pieces and theatrical performances gradually fade into plain text, the need for a homecoming of the art form, its representation of the dramatic, becomes important. Homecoming is an unpublished play that brings to the fore, the old craft of tragic dramatic art. Written by Chetachi Igbokwe and directed by Ugochukwu Victor Ugwu. The play premiered at the New Arts Theatre, University of Nigeria, Nsukka under the auspices of the Maestro Theatre. The play, which more beautifully, is a debut, brings you closer to African art, draws you in to fear, pity, myth, and of course plunges you afresh into a communion of tragedy; that man is born broken, for he lives by mending his brokenness, and only his chi becomes his death or salvation. The play is an Act on three characters: Nwakibe, Adannaya, his wife, and Nebeolisa, a lost son who appears to us as just Mr. Johnson; a writer from Moldova who becomes a neighbor to Nwakibe, whom he rents a room o

MEMORY'S INESCAPABILITY: A review of IFÉSINÀCHI NWÁDIKÈ'S How Morning Remembers The Night by Ikechukwu Iwuagwu

Author: Ifésinàchi Nwádikè' Publisher: Winepress Publishing & Griots Lounge Publishing Year: 2020 Pagination: 66 Reviewer: Ikechukwu Iwuagwu The inextricability of literature and reality is a standard which gives literary pieces varying degrees of quality. Grief, sorrow, regret, joy and happiness amongst others are fabrics or components which lace our memories. Ifesinachi Nwadike's 33 poem collection titled How Morning Remembers the Night bares relentlessly the colour and mien of memories as regard to the poet, and by extension his immediate society. Ushering us in with an introit which in my view, is a painting with words which gives us a nutshell of this literary master piece, more or less a foreshadow, Nwadike shows his proclivity for activism and concern for ones nation:   Grief came knocking on my heart's door... Grief of a comrade, in a hurry, No goodbyes...    Of activists, nationalists, patriots whose bloods, their nation's root sprout in

N30,000 Worth of Books for Young Writers in Nigeria

Books, literary meetings and magazines are essential to the creative development of a writer. Over the years, we have observed that lack of finance affects the young and emerging Nigerian writer's access to these literary essentials. At  Black Boy Review , we are aware of the consummate fire of artistic connection which books, magazines and literary events offer to the writer, and we are committed to providing that experience for the young and emerging Nigerian writer, whose literary potentials have been inhibited by lack of finance. We are therefore excited to announce our new project:  The Writers’ Money.   This project is a fund in vouchers for young and emerging Nigerian writers, living in the country, who are between the age bracket of 18 and 25. The funding ranges  between  N20,000  to  N30,000  worth of books by African authors disbursed to successful applicants twice in a year, starting  November 2021.  Applicant must be a writer, who has published at least a poem or a shor